Andy Warhol’s Art of the Ordinary

Whatever you do, never stop making a scene.
Andy Warhol’s Art of the Ordinary
Andy Warhol’s Art of the Ordinary

“I come from nowhere.” 

That’s how Andy Warhol described his origins—a simple beginning that’s a far cry from the crazy New York chaos he became famous for creating at his studio: the technicolor Pop Art prints; pornographic art films; Velvet Underground records; and general silver-haired, unapologetic zaniness that made Warhol one of the most famous artists in modern history.

That description of his own upbringing—part tongue-in-cheek exaggeration and part plainspoken truth—was characteristic of Warhol’s approach to art and life. He always seemed to be playing a joke on the world, refusing to ask people to look below the surface of whatever he was doing for any deeper meaning, whether it was eating a hamburger on camera without comment or assembling a vacuum in an art gallery, sweeping the floor and signing it as a piece of art.

Where Warhol’s seeming desire to play a joke on the world came from—whether a personality quirk or a desire to get back at a world that had gotten its licks in on him early—is anyone’s guess. But those dreary childhood experiences as a poor kid living in “nowhere,” were the necessary foundation for his ultimate status as international, self-made icon. In spite of its colorful energy, his art was resolutely accessible, inspired by the everyday things available to him as a poor, sick kid in Pittsburgh. His art served to even the playing field between his poor upbringing and the wealthy lives of the movie stars he adored and who fueled his life-long interest in fame.  

It would be very glamorous to be reincarnated as a great big ring on Liz Taylor's finger.-Andy Warhol

The Everyday Celebrity

All his life, Warhol looked up to celebrities and wanted to be like them. And as much as he became a self-made artistic success, the fame he amassed as a public figure might be more impressive. Everything in Andy Warhol's early years should have led to a completely average life. But he found a way to not just escape those ordinary beginnings, but use them as the foundation for achieving the fame he craved—taking things as simple as a can of Campbell's soup and transforming them into art craved by the people he craved to be among.

As a child, Warhol developed his interest in glamor and fame as a reaction to a world that had too little of it. Warhol grew up during the Great Depression and would frequently escape his life by going to the movies. At the time, each ticket to a movie also got you a photograph of the star in the film, and Warhol treasured the ones he got, saving signed ones from Shirley Temple and Mae West in his scrapbook that survives to this day.

Cramped, Crowded and Chronically Sick

When Warhol went to the movies he wasn't only escaping a bad time for the country's economy, he was escaping an uncomfortable and poor life at home too. Born Andrew Warhola in 1928, he was the son of poor parents who immigrated from Austria-Hungray—his father in 1914 and his mother five years later. His parents' first child died before they came to the United States, but by the time Andy was born, there were already two older brothers in the house. Which was cramped. Warhol’s father worked as a coal miner and, in order to pay the bills, the family of five all slept in the attic of their home so that they could rent out the floor below.

Stuck in that attic is where Warhol would spend many of his childhood years. 
In third grade, Warhol came down with a  nervous system disease known as Sydenham Chorea, thought to be a complication of Scarlett Fever—the same illness that deafened Thomas Edison, another of America’s great self-made men. Once Warhol got sick, he was often confined to bed in that crowded attic. But it was during those years stuck inside that Warhol developed the interests he would pursue his entire life. He spent his time drawing and reading comic books and celebrity tabloids. Looking back at both those magazines and the photographs from the movies he loved, it’s not hard to see their influence converging in his later screen-printed celebrity headshots—although his had the characteristic Warhol flair for the dramatic and were painted in near-neon technicolor.

A Tragedy and an Opportunity

As Warhol became interested in art in those years, his mother noticed and encouraged him to pursue it. A modest artist herself, she taught him what she knew about drawing and later on arranged for him to have lessons with one of the best art educators in the city.
But the only reason Warhol was able to turn those early lessons into a career was due to tragedy. When Warhol was 14, his father died. Some reports list the cause as tuberculosis from contaminated water at the mine he worked at, but the family blamed it on a poor recovery from a gallbladder surgery—a foreboding story for Warhol who would have a similar surgery just before his own death. Warhol's father had managed to save just enough money to send one of the boys in the family to college—and the family decided Andy was the one who could benefit most. 
They always say time changes things, but you actually have to change them yourself.-Andy Warhol

With that gift, the path that Warhol envisioned was still fairly ordinary. He intended to go to the University of Pittsburgh after high school to study art education. But he ultimately changed both his major and the school he wanted to attend—which is where his story crosses paths with another of America’s self-made greats: Andrew Carnegie. Instead of the University of Pittsburgh, Warhol went to the college Carnegie had founded to give back to the masses after he made his millions. It was there that Warhol put his interest in both art and consumer culture together for the first time as he studied commercial art.

Finding Success in New York

With the formal training he received in college, Warhol was able to start making a living as an ordinary commercial artist—a far cry from what he would ultimately become. He moved to New York after college and began working as a commercial illustrator, where his skill and style were noticed almost instantly. Within a year of moving to the city, he was getting assignments from top magazines like Glamour, Harper’s Bazaar and Vogue. He spent the next decade doing commercial illustrations. He was particularly known for his award-winning work of women’s shoes—fanciful illustrations for which he developed a technique of blotting wet ink on the paper to create multiple versions of the same drawing, a method that was an early precursor to the screen prints he would make later.

But commercial art wasn't enough for Warhol and, by the 1950s, his interests were starting to shift toward fine art. He began to paint and started to show some of his work in galleries. Even in those early shows he was already blurring the line between the commercial and fine art worlds. And once he started those shows, just as he had gotten noticed for his commercial work when he moved to New York, he did not languish in obscurity for long. 


Founding a Movement

1961 was the year everything took off for Warhol. In that year, he first introduced what he called Pop Art—the name he gave his work turning everyday consumer objects like Brillo boxes into sculptures, newspaper headlines into paintings, and bringing brands like Coca-Cola into the art world. Within a year, he had a debut show in California where he showed his now-iconic Campbell’s Soup cans—the origins of which he himself tied back to his upbringing. He claimed that these paintings were inspired by his mother making Campbell’s Soup for him when he was young, but given Warhol’s knack for generating publicity, who can say whether it's a true story or just a good story.

For Warhol's career, the difference couldn't have mattered less. The reception to his Campbell’s Soup paintings was immediate—and incredible. He was on the art world's radar and, never one to let that go to waste, he dove in hard on Pop Art and began churning out work. By 1963, he opened his studio, The Factory, where he assembled an attention-grabbing array of artists, musicians, adult film performers and socialites to help him create. He hopped pell-mell between painting, filmmaking, photography and the real-life piece of performance art that was his public persona—all with a focus on the one thing that was still taboo in the art world: making money. 

Being good in business is the most fascinating kind of art. Making money is art and working is art and good business is the best art.-Andy Warhol

Defying Definition

To make wealth and fame a focus as an artist makes sense for someone whose career started in commercial culture and who had spent so many years trying to escape the plain circumstances of his childhood. But the reception of the art world wasn't so understanding. Critics complained about his openness regarding money, accusing him of being too commercial. But Warhol was unapologetic and, looking back today, it was precisely that focus on business that earned him a permanent place in culture and art history.

In that sense, Andy Warhol got what he had wanted his whole life. The fame he craved and the money he grew up without. But as Pop Art became part of pop culture, his artistic vision became fulfilled as well. His mass-produced images of mass-produced items were made to be consumed by the masses and, with his uniquely business-savvy approach to the art world, he made it happen. And made it big.

By the end, nothing about Warhol was small, no matter how small his beginning. But, in spite of the greatness that Warhol built, it was the commonness of his beginning—those everyday experiences of a poor kid—that were the foundation for his fame and the inspiration for all the self-made success he achieved.